
As the story opens, Harvard symbologist Robert Langdon is summoned unexpectedly to deliver an evening lecture in the U.S. Capitol Building. Within minutes of his arrival, however, the night takes a bizarre turn. A disturbing object–artfully encoded with five symbols–is discovered in the Capitol Building. Langdon recognizes the object as an ancient invitation . . . one meant to usher its recipient into a long-lost world of esoteric wisdom.
When Langdon’s beloved mentor, Peter Solomon–a prominent Mason and philanthropist–is brutally kidnapped, Langdon realizes his only hope of saving Peter is to accept this mystical invitation and follow wherever it leads him. Langdon is instantly plunged into a clandestine world of Masonic secrets, hidden history, and never-before-seen locations–all of which seem to be dragging him toward a single, inconceivable truth.
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Dark forces are at work at the House of Night and Zoey Redbird’s adventures at the school take a mysterious turn. Her best friend, Stevie Rae, is undead and struggling to maintain a grip on her humanity. Zoey finds herself in the very unexpected and rare situation of having three boyfriends. Mix a little bloodlust into the equation and the situation has the potential to spell social disaster. Just when it seems things couldn’t get any tougher, vampyres start turning up dead. Really dead. It looks like the People of Faith are tired of living side-by-side with vampyres. But, as Zoey and her friends so often find out, how things appear rarely affects the truth…
An archaeologist has just unearthed the find of his career, the tomb of Ramses II. The door to the tomb is lettered with a curse, the mummy of the king who claimed to be immortal lies shriveled inside. The archaeologist dies and the treasures are shipped to his daughter Julie in England, who finds that the mummy comes to life as a perfect man. Julie grows to love him and introduces him to modern life, including the museums that purport to reconstruct his time. He becomes disturbed and disgusted with the modern portrayal of his beloved Cleopatra. Ramses and Julie, her ex-fiance and his father Elliott in tow, travel to Egypt. There, Ramses is further upset by the tourist flavor given to his ancient civilization. In one of the museums, he recognizes an “unknown” mummified woman as his beloved Cleopatra. One night, he returns with the immortality elixir and raises her from the dead. But Cleopatra is not restored to her beautiful body or mind. She is a horrid monster, a walking corpse of rotting flesh and a disoriented mind that kills without mercy. Ramses abandons her, leaving her to Elliott, not realizing that he too is in peril. All in the party partake of the elixir, with Cleopatra and Ramses in the shadows.
The Talamasca, documenters of paranormal activity, is on the hunt for the newly born Lasher. Mayfair women are dying from hemorrhages and a strange genetic anomaly has been found in Rowan and Michael. Lasher, born from Rowan, is another species altogether and now in the corporeal body, represents an incalcuable threat to the Mayfairs. Rowan and Lasher travel together to Houston and she becomes pregnant with another creature like him, a Taltos. Lasher seeks to reproduce his race in other women, but they cannot withstand it. Rowan escapes and becomes comatose as her fully-grown Taltos daughter is born. The Mayfairs declare all-out war on Lasher and try to nurse Rowan back to heatlth.
Zoey has managed to settle in at the House of Night and come to terms with the vast powers the Goddess Nyx has given her. Just as she finally feels she belongs, the unthinkable happens: human teenagers are being killed, and all evidence points to the House of Night. While danger stalks the humans from Zoey’s old life, she begins to realize that the very powers that make her so unique might also threaten those she loves.
Edgar Allen Poe is credited with having pioneered the short story, with perfecting the tale of psychological horror, and with having revolutionized modern poetics. The entirety of Poe’s body of imaginative work encompasses detective tales, satires, fables, fantasies, science fiction, verse dramas, and exquisite poetry.